American Abstract Artists Journal: Abstract Dilemmas

Description

Excerpt from the Editorial Introduction

The notion of dilemma does not necessarily imply a negative connotation. In Hegel’s Phenomenology of Spirit for example, it is the negative dialect that drives history. To ask what dilemmas are is to re-examine how its variable inscriptions affect the course of abstraction. What is abstraction’s signification? Where does its value lie? What are its ethics, if any? There is no unanimity of opinion even within a group as historically anti-realist and pro-modern as the AAA. Our aim in bringing diverse approaches together in this journal is to recognize that the practice and discourse of abstraction are alive and continuously in flux.

This journal continues to act as a forum for ideas and topics about abstraction and to present the work and writing of both members and non-members.

American Abstract Artists Journal, Number 4, 2000, 62 pages

Contents

AAA Journal 4

Editorial

Personal Profile: Beatrice Riese, by Peter Pinchbeck

The Dilemma of Contemporary Abstraction, by Robert C. Morgan

Reality, by Katinka Mann

Matters of Choice, by Peter Stroud

Abstract Dilemmas: A Monologue, by Edwin Ruda

Abstraction — A Midlife Crisis, by Phillis Ideal

On the Interface of Abstraction and Landscape, by Hearne Pardee

Further Desistance / I'm Late, I'm Late, by Marthe Keller

The Symbol and the Search, by Jeanne C. Wilkinson

Volumetric Abstraction, by Peter Pinchbeck

Dilemma, by Mac Wells

Finding Meaning in Form, by Cecily Kahn

Abstract Dilemmas Pop Quiz, by Don Voisine

Merely Painting or Getting the Thing in Itself Wrong Again, by Saul Ostrow

Three Racoons and A Garage Are Not Art, by Richard Timperio

On the Question of Relevance and Meaning in Recent Abstract Painting, by James Little

Leo Rabkin — Statement, by Leo Rabkin

The Depths of Abstraction, by Tom Evans

Engineering Tranquility, by James Juszczyk

Painting as Mediation, by Stephanie Demanuelle

Abstraction Resignified: Some Remarks on the Fate of Abstract Painting, by Corey Postiglione

Abstract Painting Versus New Media, by Joe Walentini

The Margins of Seeing, by Gail Gregg

In Memoriam: Jeanne Miles 1908-1999, by Peter Pinchbeck

Jeanne Miles: A Reminiscence, by James Gross